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Carl Fredrik Adelcrantz : ウィキペディア英語版 | Carl Fredrik Adelcrantz
Carl Fredrik Adelcrantz (30 January 1716 – 1 March 1796) was a Swedish architect and civil servant. Adelcrantz's style developed from a rococo influenced by Carl Hårleman, the leading architect in Sweden in the early years of his career, to a classical idiom influenced by the stylistic developments in France in the mid-to-late 18th century. As ''överintendent'', he headed the royal and public building works from 1767 until his retirement in 1795. ==Family and childhood== Adelcrantz was born in 1716 in Stockholm and was the son of the architect Göran Josuæ Adelcrantz, who had changed his name from Törnqvist at his ennoblement four years earlier.〔Fogelmarck 1994, p. 14〕 As a student in Uppsala, Göran Josua Törnqvist had been a member of the student theatre troupe known as Den Swänska Theatren that later performed in the Lejonkulan theatre in Stockholm.〔Fogelmarck 1994, p. 9〕 He came into the employment of Nicodemus Tessin the Younger in 1697, the year the disastrous fire at the old Castle of Stockholm took place and the planning for the new palace began. Törnqvist had studied architecture before this and may have been discovered by Tessin for his scenographies.〔Fogelmarck 1994, p. 9〕 Göran Josua Adelcrantz remained in the shadow of the dominant Tessin; his most significant work was the cupola for the Katarina Church in Stockholm.〔Fogelmarck 1994, p. 16〕 Through his marriage in 1711 to the young widow Anna Maria Köhnmann, daughter of a wealthy businessman, Törnqvist's finances improved considerably. Among other things, he became the possessor of the manor of Signhildsberg near Sigtuna.〔Fogelmarck 1994, p. 14〕 The next year Charles XII ennobled him, on the recommendation of his patron Tessin.〔Fogelmarck 1994, p. 14〕 Born in Stockholm, Carl Fredrik was the third child of the marriage.〔Fogelmarck 1994, p. 18〕
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